HOW TO SET GOALS FOR YOUR SOCIAL-MEDIA PROGRAM
For most everything they do, marketers have a particular goal enshrined
as the driving purpose of their campaigns, the key metric to be tracked for
purposes of measuring return-on-investment. For direct-response cam-
paigns, the metric will be sales or qualifi ed sales leads. For PR people, the
key stats will be media mentions, reach, or impressions, and perhaps the
paid-ad cost equivalent of free ink. Brand marketers will measure their
impact by tracking market share, brand recognition, and brand attitudes.
But pity the poor social-media manager. She can rightly expect her
efforts to pay off in any and all of those areas, but unpredictably, fl eetingly,
and probably without leaving clear footprints.
And yet while most organizations are happy to indulge in some explor-
atory tire-kicking of a new frontier like social media, before any serious
investment of time and money is made, top management will expect there to
be some tangible goals and measurement of progress toward those goals.
As Dale Nitschke, former president of Target.com , puts it, “You cannot
move resources to this new channel unless you can measure some of the
results.
Let me say right away that too shortsighted a focus on metrics—or too
ambitious a goal—will doom a promising social-media program to a pre-
mature death. Just because you won ’ t vacuum up as much revenue as Dell
doesn ’ t mean it ’ s not worth doing. What ’ s the value of being where your
most Web-savvy and interconnected customers are? What ’ s the value of
listening to what matters to them, of interacting with them directly and
being a part of their online social circle? “Initially, it ’ s very qualitative,”
points out Best Buy ’ s Mark Mosiniak. “Does it mean something to the
customer? That ’ s very hard to measure.
What Metrics to Watch
You can track key performance metrics yourself through your analytics
package, and you can augment your own tracking by enlisting specialized
social-media tools like Trendrr, TruCast, Radian6, or any of the several
others cropping up daily.
Most external social-media tracking tools focus mainly on sentiment
tracking—what ’ s being said about your brand. They may employ spider-
ing and screen-scraping technologies to fi nd references to your brand or
products, or those of specifi ed competitors, across the blogosphere and
social mediascape. These services are not unlike Google Alerts, which fi nd
references to your keywords in news releases, but they typically overlay
trending over time, charting options, and other tools.
But don ’ t overthink things, either. The simplest approach may just be to
issue unique discount or promotion codes any time you promote offers on
a social network. “If you have a specifi c promo code you use on Facebook
and Twitter, that ’ s the simplest form of tracking.”
Here are touchpoints on your Web site to watch:
• Visits from social-media sites
• Leads, inquiries, and catalog requests from social-media sites
• Newsletter signups from social-media sites
• Orders and revenue from social-media sites
Note: since these stats measure what someone does on your site after
visiting your site, use caution, and remember that “correlation does not
prove causation.” Many people may bop back and forth from your e-com-
merce site to your blog to your Facebook page and back again before mak-
ing a purchase. Don ’ t be too quick to say “Ha! Facebook caused a sale!” If
you ’ re not doing multichannel tracking, you ’ ll never know.
customer really came in the door in response to your trusty direct-mail
catalog.
Other metrics track your social networks and your impact on the blogo-
sphere, Twittersphere, and the Web at large:
• On Facebook fan pages, Page Insights is a section page authors can track
that measures post quality; the post quality rating is a measure of the
percentage of users that have interacted with your page (“liking,” com-
menting, etc.). The star rating shows how your level of interaction com-
pares your page with others with similar-sized fan bases.
• Track fans, followers, connections, or other measures of your network
size. It ’ s easy and provides a useful indicator of your footprint on social
media—but I wouldn ’ t read much into the data.
• Track mentions of your brand name and key products using Google
Alerts, Tweetmeme, and other social-media “listening” tools.
Social-Media Command Center
What you watch is important. But until I learned about Gatorade ’ s
social-media “Mission Control” room, I didn ’ t realize how important it is
how you watch .
Gatorade Mission Control is a slick, glass-walled room glowing with
the light of six huge, wall-mounted monitors. Other monitors and worksta-
tions cover a single curved desk, where as many as fi ve marketing staffers
keep their eyes glued to Gatorade ’ s place in the social-media conversation,
in real-time. One monitor charts tweets referencing the Gatorade brand
and trending topics. Another shows several line charts tracking blog men-
tions of Gatorade as well as three rival brands.
The displays, custom designed for Gatorade parent company PepsiCo
by IBM and Radian6, are visually impressive. But are they helping the
company manage?
Gatorade ’ s Carla Hassan, senior marketing director for consumer and
shopper engagement, answers an emphatic yes. 3
For instance, in monitor-
ing responses to its Gatorade Has Evolved campaign, Mission Control
quickly saw heavy social-media buzz developing around a song by rap art-
ist David Banner. Within 24 hours, the company had worked with Banner
to release a full-length version of the song and distribute it to Gatorade
followers and fans on Twitter and Facebook.
Gatorade ’ s tools are being used to tailor Web sites and landing pages to its
top-performing topics and videos, based on social-media conversations. As
reduced its landing-page exit rate from 25 percent to 9 percent.
I ’ d also suggest that merely establishing a command center highlights
the importance of social media within a business—making it more fun,
more engrossing, and more likely to percolate into the culture of the com-
pany as a whole.
Hassan says the goal of Mission Control is to “take the largest sports brand
in the world and turn it into the largest participatory brand in the world.”
To that end, Gatorade isn ’ t just monitoring the conversation, but partici-
pating in it as well. The company hosts events on Ustream and Facebook in
which a sports nutritionist answers questions from fans. During the 2010
Super Bowl, Gatorade invited fans to interact with some of its NFL stars
through Ustream as they tested the new Gatorade G Series Pro drink.
If successful, the Mission Control strategy is likely to spread to other busi-
nesses within PepsiCo, according to Bonin Bough, director of global social
media at the company. “We believe what we ’ re building here is an example
of a sandbox of tools and processes we can use across the organization.”
To get a glimpse of the social-media command center in action, go to
YouTube and search “Gatorade Mission Control.”
WRITING A SOCIAL-MEDIA BUSINESS PLAN
You ’ ve already spent a lot of time on social media at this point, and
now you ’ re getting ready to spend more money. What exactly are you
going to achieve by being active in social media? And how are you going
to achieve it?
Just as you would write a business plan for a new entrepreneurial ven-
ture, or craft a marketing plan for a major new product or category launch,
you now need to write your social-media business plan.
You ’ re not trying to qualify for a bank loan, so don ’ t knock yourself out.
Take the exercise seriously, but try to keep the document to fi ve to 10
pages. The purpose of planning is fourfold:
• Force yourself to think broadly and take the long view about your proj-
ect and its objectives.
• Create a roadmap to follow with tangible goals.
• Sell the project internally to whoever must approve funding.
• Give yourself a framework to return to and revise as the project goes
along.
The key ingredients for a good social-media business plan:
Executive summary : Summarize why participating in social media is so
important to your company, what your broad strategy is, and what goals you ’ ll
achieve.
Mission statement : Restate the company ’ s mission in light of the unique
opportunities and nature of social media.
Competitive and market analysis : Since about 80 percent of the online
public is using social media, calculating the size of the market is a waste
of time, although impressive.
The
main question: What are your chief
rivals already doing on the social-media networks? How many fans and
followers do they have, what campaigns are they running, are they driving
PR, revenue, search traffi c, etc.?
Marketing plan : Describe what platforms you ’ ll participate in right
away, and show a rough time line for expansion into new platforms and
opportunities.
Operations plan : Show how you ’ ll staff the effort and what the team ’ s
responsibilities and deliverables will be. Describe your posting frequency,
customer-service approach (CRM), and brief rules of engagement. Address
how you ’ ll put safeguards in place so that social media won ’ t be a source
of legal or brand-image problems. This is also the place to mention soft-
ware, consultants, domain names, and other things you ’ ll need to buy.
Goals and objectives : Unlike a typical business plan, whose upside is
forecast in the fi nancials, your social-media business plan will need to describe
a number of important and quantifi able goals that are nonmonetary. See the
section above on analytics for ideas. Project the number of new e-mail sign-
ups and calculate their value, do the same for fans and followers, or external
links for search-engine value, dollars trackable to social-media campaigns,
PR placements, or brand mentions. Try to separate the goals of outreach (to
prospects and the media) from the goals of loyalty and retention (of existing
customers). A good social-media program will yield fruit in both regards.
Financials : These will be fairly simple. You ’ ll need to have budget num-
bers on the expense side and some quantifi able goals—that may or may
not include sales—on the ROI side. Charts forecasting traffi c, fans, media
mentions, or revenue are helpful tools both to sell the concept.
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